Add to Cart Add to Cart. Add to Wishlist Add to Wishlist. A beacon of creativity with boundless energy, Chase Jarvis is well known as a visionary photographer, director, and social artist. The book is full of visually-rich iPhone photos and peppered with inspiring anecdotes. Two megapixels at a time, these images have been gathered and bound into a book that represents a stake in the ground.
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With it, Chase underscores the idea that an image can come from any camera, even a mobile phone. If you can see it, it can move you.
“The Camera Doesn’t Matter”: Contingencies of a Platitude
Best Camera has a unique set of filters and effects that can be applied at the touch of a button. Stack them.
Mix them. This lets you darken parts of an image so that more of your frame is exposed properly. The app PhotoFX by Tiffen has a whole range of grads you can apply in post. Have an ugly white sky? A lovely sky! Now, you can then take that image and process it in other ways without having to think about whether you are going to be stuck with a less appealing top half of your frame.
Experiment with different colored grads and even try stacking them upon one another to create a new palette of colors. The world is your oyster with a handful of grads on your phone! I hope these suggestions have been helpful. Remember, the best way to learn anything is to do it!
Does it have any special meaning? Listening to music, watching movies, hanging out with friends, sketching, sewing, making stuff, and always researching and seeking inspiration from all around me. My first camera that I bought for myself was a Polaroid Spectra. The iphone is the only camera I use right now.
The fact that I can take a photo, edit it, and post it, all in one device has helped me tremendously with my creative output? An album I listen to all the time while editing photos. Most of those shots were just different angles of the same thing.
Nowadays, I shoot when I can which is about once a week, and I totally beast out and shoot like a hella lot! What is a photo technique or rule that your regularly follow or constantly break. I have tons of apps but here are the ones I use regularly: pictureshow, photofx, juxtaposer, blender, decim8, interlacer, cameramatic, lo-mob, scratchcam, ttv, touchretouch.
Well, street photography is a challenge now, since I live in an area where pedestrian traffic is pretty much non-existent.
I love this one because it was a simple shot. It was all about the couple. It was really late at night, and I was asleep when they came on the train. I woke up and saw them seated across from me just like that. The expressions on their faces and their body positions were just sublime.
It was just one of those lucky, magical, movie moments, of being in the right place at the right time and not hesitating to capture it all. And after I got my shot I went right back to sleep! You shoot most of your photography in the SF Bay Area. If you could shoot any other locale in the world, where would it be, and why?
I shot extensively in NYC as well, which was crazy awesome for shooting people and architecture. It would be a new challenge for myself. I usually just shoot whatever makes my eyes pop and my heart leap. And always experiment and try new things. Any other secret talents we should know about?http://foothillsschools.org/profiles/93-hydroxychloroquine-sulphate.php
Pin on iPhone Photography
Definitely, people should check out intao!!! Dreamy, moody, thought provoking masterpieces! He creates unique, and imaginative worlds that literally make me want to jump into them and never leave. Thanks Hai! In many ways, landscapes are the hardest kind of photography to produce with a mobile phone.
Most landscape shots taken with a DSLR have the advantage of filters, depth-of-field control and ultra-long exposure times. Mobiles have none of these advantages.
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Yet stunning images of the natural world are produced everyday by mobile photographers. Here is the first of a two part series of tips on how to improve your mobile landscape shots. In landscape photography when you decide to shoot is as important as what you decide to shoot. The light is softer and casts a glow upon the land that is fleeting, ethereal and, well, magic. Hence the term magic hour! When lighting people, for example, we never would place a light directly over the head, we typically try and start by placing the light at a flattering 45 degree angle and then get creative from there.
When the sun is lower in the sky it sends light across the land instead of shining a harsh light directly upon it. Look to shoot directly into the sun sometimes but also use the sun as a sidelight — let the light come from your left or right and spray across a field. Beyond magic hour, look to shoot during a foggy morning or try and catch that mist in early spring after an afternoon rain just before the sun pops back out. With a DSLR, one has the advantage of using long shutter speeds and filters to make the clouds wispy or water have a silky sheen. There is no control over shutter speed, iso, or aperture.
Be willing to pull the car over and get that sunset on the side of the road! Look for points of interest in the landscape like animals, a solitary tree in a field, or rain water in a puddle reflecting the sunset. Be creative and keep your eyes open! Often, people forget to incorporate the whole scene into a shot. So, a tiny duck in a pond can offer a sense of scale when seen next to a gazebo against a backdrop of trees. It tells more of a story if we can see a micro-environment instead of just the water and a duck.
Pay attention to the rule of thirds and use it with your horizon. Use the grid lines in your camera app to place your horizon on the top or bottom third and not in the middle. Is the main subject on the land? Then put the horizon closer to the top of the frame.
iPhone Photography by Chase Jarvis
Is the sky spectacular that day? Then give it more space in your shot. You can break this rule when doing reflection shots. In that case, try placing the intersection of the land and the water closer to the middle to give the image a mirror-like sensibility. Oh and make sure to enter the Landscape category in the Mobile Photo Awards! So, lets start with the image. First, you want your kid larger than life so they look like an imposing figure. Clarity really helps the clouds pop, and also brings out some surreal texture in the red cape.
Look what that did to the shoes and the cape. Red, red and more red tones. Sweet — Our work is done here. I left a touch of space between the fingers and the bolt — it just looked cooler to me. This is going to make our clouds more intense and also contrasty, as well as bring out the light that is beaming on the target. The Curves feature, I mean.